I A MERE SPADE
Perceive reverts I’m incompetent
taking a creature and dissecting
it’s love into blue pieces of hard candy
to suck on instead of smoking
is a way out told me a soap carver
that lye is bipolar told me a saint that
ravenous time-sucks would follow
hollow milk I talk through
in lieu of a diatribe minute red ants
confectioners sugar on my legs
I swat at a music box in my temporal
lobe I’m scared of its dancer
rotating on a gear
fear motivates excess in most species
in most species I am received
an easier joy despairs exposed to voltage
Perceive averts now I can handle
running absolute darkness
through my threader and heads
stay on relief! in a spiritual sense
all I want is a new blender
what matters is the doubleness
held in everything before a blade
I a mere spade before the black dirt
rolling rowing trowel shovel and again
the hollow milk poured on it
now we have a soup let’s eat
without speaking fuller and flow
HAND IN A GLASS
Into the ineffective water paling
tributaries a placed romantic
earth the trap
the stitch the pendulum
on which I balance the horse
of my body laud me for being
so moved by labels placed
on words I know concede me
this once into the qualifying
water into the misjudged
lake I drip drop off me
comes off me comes repeating
feathers but just the word feathers
to roll into a pinafore
to pin up on a drying line off me
comes slighted steam a tutorial
for overload a manufactured
lifetime supply of care
fresh air rewind the need for slowed
movement weighted improved
ripple in the disappearing divert
I am coursing across
a hydrogen meadow in a down
blanket asking is this normal
rewind divination song symmetry
is this formally prescient when can
I stop drip drop down the word
whether rain in singular
will heal the mare dehydrated hay
and me the riding crop me
the defective come sit
in the birthing pool lift from it
what you will conveniently
staggered and approaching a quota
of heartbeats the placed romantic
earth is mostly blue and I too
pull shards from my green
belly sublime to be so moved
by a glossed finger lingering
Ellen Boyette received her MFA at the Iowa Writers’ Workshop, where she was an Alberta Kelley Fellow and Teaching-Writing Fellow. Her first book of poems, BEDIEVAL, was a finalist for the Slope Editions 2019 Book Prize judged by Solmaz Sharif. Her work can be found at jubilat, Prelude, poets.org, The Columbia Review, Bennington Review, and elsewhere.