in which i name all of the planets after her
Twitter poets want to know how we define our grief. We are
always writing about what our grief looks like, aren’t we? Every
single body I’ve ever loved is a crushed little star. Even on
summer days I stick out my tongue—hoping to catch snow.
Some poet say their grief is seeing their loved ones in the
sunsets. Sunsets are the new Rushmores. Poets are liars
obsessed with overused sky metaphors. But so am I.
Because I do see my grandmother in every bowl of Campbell’s chicken noodle soup. I hear her
curiosity in the love language of owls outside my window. I see her in the faces of women walking
around Times Square. I see her. On the streets. I see her in the Statue of Liberty’s crown, taking
polaroids of a shrinking city. I want everyone to name everything after her. I know the fifty dollars we
spend on naming stars means nothing, but there is an entire junkyard of abandoned stars. Stars with
names of separated loved ones already living above my grieving head. I see new colors in the sky and
know they must be planets. They must be. And they are mine, so I shall name them. My astronomy
professor tells me they are not planets. They are stars. But professor, this is my grief. Finding a new
planet in my night sky. My grief is naming that planet after her, tricking myself into believing that
planet hasn’t already been discovered and doesn’t already have its own name.
there are glaciers in ohio
A coyote stands before a tree painted neon orange
and asks me Have you ever seen God?
And I reply No,
because I have lost faith
in the power of light.
The coyote looks at me,
confused.
Wondering why I didn't say
my grandmother's name.
I have considered it. I have.
the cracks of her smile. Like sunlight crawling
through glaciers. The same way light crawled
through her thinning gray hair. Hair like
glaciers I’ll never touch.
so she would sit in the yard and pull it out of the sky.
Sometimes I see her. At the grocery store. In the frozen foods aisle, on the front of a Stouffer’s
microwave dinner box. Salisbury steak, what she always bought. She told me the fireflies are in the
backyard again, because I have forgotten how to discover. She said the jar is on the basement ledge.
Sometimes we forget the little things. Like Nic Cage was a fry cook in Fast Times little things.
Sometimes I forget my grandmother could sing “Yellow Submarine” better than Ringo. She would
sing it while holding the firefly jar in one hand and my small knuckle in the other. Grief is forgetting.
But at the same time, there is grief in remembering what we have forgotten.
coyote again, someday. And
again he will ask me, if I have
ever seen God. And I will show
him a palm full of fireflies. This
time I will say her name. He
will ask what made her so
godly.
And I will say Everything.
Matt Mitchell is a gluten-free, heartbroken, intersex writer from Ohio. He is the author of “The Neon Hollywood Cowboy” (Big Lucks, 2021). Find him on Twitter @matt_mitchell48.